That Floating Poo Was Way Too Meaningful! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV offerings of the past year, a handful of shows emerge not for their brilliance, but for their spectacular failures. From awkward sequels to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with woeful scripts, painful character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the third season started, it seemed as if it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a bum note; the closeup of Miranda’s loo flooded with poo was simply too symbolic. Yet, viewers certainly found joy picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to begin enumerating the problems. The laughably leaden dialogue? The mind-numbing glorification of wealth and materialism? The almost wilful procession of tropes? Acting so bad they felt almost spiteful? Let’s just say “all of the above” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be saved for the people who have had to endure close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady characters meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were many other problems. Mainly that it was just really boring; a conflict over drug-selling territory between various cockney rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you view them and are compelled to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for some reason, this documentary series chose not to explore them. Instead, the viewing was like consuming a sales catalogue. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was straining desperately to emulate something way beyond it.

Too Much

How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Very much so.

Prime Target

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for explicit exploits as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Christine Bowers
Christine Bowers

Giornalista freelance con 10 anni di esperienza, specializzata in divulgazione scientifica e innovazione tecnologica.