“Well, conditions are quite harsh here. We’re advising all of our clients to invest all their resources into tinned provisions and hunting rifles.” This nugget of shrewd guidance comes from the Brain Gremlin – a lab-engineered, articulate, glasses-wearing member of the oozy monster mob that swarms Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s madcap sequel Gremlins 2: The New Batch. On the surface, it’s simply an portfolio pointer from one monster to another. However, curiously, it’s also pretty solid life advice. Seriously, listen to my reasoning.
When life takes a turn for the worse, the worst thing you can do is take things too seriously. The Brain Gremlin comprehends this. In fact, most of the dentally-gifted beasts that inhabit Dante’s chaotic 1990 feature (arguably his best) possess the same knowing, self-referential sense of humour regarding the blurry line separating everyday life and pure pandemonium. It’s one element of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the theme that resonates the most.
Understandably, my fondness for this movie did not begin on such an deeply thoughtful note. As a child, we were limited to a few battered VHS tapes at home. Among them were Gremlins and its sequel, the latter housed in a thick former-rental sleeve probably bought from an off-brand video shop and boasting grimacing beasts on its knackered cover. I was immediately enamoured and these films did not delay inserting themselves inside my small, malleable brain. Henceforth, they became an near-everyday part of my early years entertainment regimen.
Dante’s initial installment commonly garners all the plaudits, thanks largely to its reputation as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins more times than I can count. Nevertheless, its successor seldom receives the same level of elevated esteem, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During bright summer vacations, I’d retreat into the house and stick it on. When I obtained my very own TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it etched itself permanently in my mindset. If my parents observed this fixation, they didn’t seem to mind.
As I got older, new understandings rewarded multiple watches, heightening the enjoyment of watching small emerald creatures joyously wreck a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the eventual commander-in-chief Donald Trump, with his red-headed employee Marla (Haviland Morris) alluding to his former spouse Marla Maples. Thankfully, Clamp possesses greater compassion than his genuine article inspiration.
The “apocalyptic” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a genuine “Doomsday” video produced by the CNN boss Ted Turner in case the world actually met its demise. I noticed how Dante made a special effort to film alternate cuts of a meta sequence where Gremlins take over the very film you’re watching. One for cinemas, a separate one for tape and broadcast, each providing a grinning portion of self-referential entertainment sorcery before the term was even a thing.
While it was creature designer Rick Baker’s fantastically vile creatures that drew my gaze as a child, this subsurface richness maintained my fascination as an adult. Ultimately, I even spoke to Dante about it myself and he had no hesitation telling me he made the movie with the direct intention of ridiculing those who loved its goofy-but-heartfelt predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he happily revealed. This Looney Tunes-esque defiance and resolve to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only deepened my appreciation further.
When I endured a unexpected loss in the family not long ago, I was astonished to realize that, during my most profound sorrow, all I wanted to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Maybe not. The nostalgic calm it provided was necessary to weaken my mind’s sadness sludge – but the stuff it had bestowed upon me as an adult were just as useful.
Like Gremlins rampaging through a genetics laboratory, there’s particular aspects in life you just cannot manage. Dante knows it. The Brain Gremlin agrees completely. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into preserved goods and firearms and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a highly unexpected fountain – and it’s the reason Gremlins 2: The New Batch will always be my go-to cinematic solace.
Giornalista freelance con 10 anni di esperienza, specializzata in divulgazione scientifica e innovazione tecnologica.